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Bron, I have used Genuine Fractals Pro with Photoshop 5.5 and PS6 for well over a year. I have a business shooting sports photography and making high school recruiting videos. I've owned an Oly D-2500L, 3030 and now an E-10. I have had phenominal success using the GF 2.0. I have printed large posters (24 x 36) on an HP color plotter with excellent results. In fact, the posters are some of my best sellers. This has all been possible through GF pro 2.0. I have used Infranview and Q-Image Pro 10 to enlarge pictures also, but I get the best results, by far with the Genuine Fractals. I would recommend this program to anyone interested in enlarging their pictures for printing. Thanks. Dan Bishop
Hello, As a pro who often works in venues not always welcome to photographers (courtrooms, television studios, hospitals), I find the E-10 an absolute Godsend.  I believe strongly in the now forgotten concept of approaching the subject, photographing it, and leaving it undisturbed. In line with that concept, this camera follows in the footsteps of the OM SLRs that Olympus used to make. As sophisticated as some cameras may be, many of them are useless for us because they draw too much attention to themselves, and thus, us.   So, we have to shoot film this weekend, and I can tell you that we'll really miss the quiet, ease, and optical excellence of our E-10s. We've seen few cameras of late which are truly thought out devices, cameras that give the user a sense of an overiding design concept.  The E-10 is such a device, and it has already made a nice difference in the way we ply our craft. Merlin Petroff
Dear Bron, I am John Palek, owner of Palek Photography, and I love your site. I have had a Olympus E-10 since Nov. 2000 and I love this camera. Your site is wonderful and has a lot of information on it. I have only just started exploring this site. Thank you for a wonderful job you have done. I am surprised at the rapid popularity of the E-10 and very happy with it. Popularity means continued mfg. support and 3rd party acc. One hint you can pass on to your readers if it is already posted, is to explore and be comfortable with the slow sync. I have this on my Nikon N90s with the dedicated Nikon flash and this has gotten some great photos that has earned me more money than most any other photo technique. We do portraits on-scene and when you do some sites that have little sets put up (mostly I refer to Christmas trees, they make great backgrounds) the slow sync lets you expose the faces of your subjects and the longer shutter speed gets you the tree lights or other details that no one who knows this technique can duplicate. I have had customers beat their brains out  trying to dupe my shots (you only have to ask, you know) but it gets me called back again and again to some places. Cameras like the E-10 with built in slow sync make this easy. Use a tripod, I really don't have to tell you that. Any how I felt I had to contribute something. I would be willing to contribute more if you'd like. You have a great site. John Palek, Palek Photography
Bron, Thanks for the great survival guide. Seems you've covered all the high points. Another reason why I love my E10: All the fine people I can share E10 information with. Have a great day Dan